Feb. 21st, 2011

xenith: (Signal hut)
Today I finally went into to look at the museum's Tasmanian Connections Gallery (which is the new central gallery with everything in it including dinosaurs, native fauna, Sydney Cove wreck, Beattie Colleciotn, but I guess you don't know about that).

Now I often go and visit museums in place -- small community museums, big city museums -- and I look at the displays and read the accompanying labels, because they're a useful resources of information: reliable, accurate, put together by people who know the subject matter; and if something there contradicts something I thought I knew, then probably I'm wrong.

You can probably guess the next bit :)

Looking at labels and information panels today, I found I was thinking "That is probably right but I'd want to check it before relying on it" or "I don't think that's right at all." Because I know some of the people who were responsible for producing that information, and the process it goes through, so I know it's fallible, and of course resaerch is only as accurate as the available sources (not making any references to any stories about notices stuck on inn doors there). And it doesn't help that I've worked with some of the objects so I know something about them (which doesn't always match what's one their labels).

It's not that I think they don't know what they're talking about -- these are people whose knowledge and epxerience I respect and often make use of -- but I'm aware of the potential for errors to creep in.

But mostly, it's odd how I give more credibilty to unknown people in an unknown institution than those I known for years.

Addendum

Feb. 21st, 2011 03:58 pm
xenith: (Default)
(And just in case you think I might be disgruntled about the museum... I've just been reading a copy of an ancestor's conduct record. Not on a screen or a printout, but the actual 150 year old document, held in my hands (in a protective cover). She was a naughty girl.

I do love this place.)
xenith: (Default)
This is my first Carnival (so be nice ;). It seems to have been a quiet month, but summer can be like that. Still, I hope you'll find something of interest in the list below.

Shane Jiraiya Cummings hosts a series of guest authors for a Grand Conversation about ebooks

Margo Lanagan and others discuss Tender Morsels being removed from a list of "100 Young Adult books for the feminist reader"

Tehani's top reads of 2010

Sue Bursztynski is interviewed about her novel Wolfborn

On becoming a bit more of a grown up publisher: 15 Years of Ticonderoga Publications

Kathleen Jennings shows off her Illustrations from the Worlds Next Door anthology


The Craft of Writing

Carol Ryles on Writing Emotion

Mary Victoria hosts a series of guest authors talking about Writing Strong Women (but unfortunately I can't find a way to link to just that series of posts).

Rowena Cory Daniells asks the ROR group about Coming back to that Manuscript

Kaitlyn Fall on How to Turn 'F-It' Into 'Effort'

Deborah Kalin, um, writes about writer's block.

Gillian Polack writes about writer's expectations of history


Conventions & Awards

Swancon: Dealer's Room Prices

Swancon: Retro futurism Fanzines: They’re Fanzines, Jim, but not as we knew them

Swancon: Nominations for Tin Duck Awards

Swancon: Ditmar Nominations

Continuum: Programming suggestions

Continuum: The Chronos Awards

Jenny Blackford writes about her time at World Fantasy Con


Publishing News

Ticonderoga Publications announces the line-up for their bumper book of Australian vampire tales, Dead Red Heart

Twelfth Planet Press announce a new title in their Doubles series, Above/Below

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